MAGDALENES
The recent Mc Aleese Report on Magdalene Laundries may possibly - but not probably - lead to further reports on how women , and children, and men, have been treated in the past and are being treated at present.
Do people remember that in Belfast rope works the noise of the machines was so intense that women left the factory deafened for life? Or that women in domestic service had their names changed for their employers' convenience ? Or that in the linen mills women worked in bare feet in appalling conditions some of them returning to work within days of childbirth, some suckling their children at the mill gates , the child in the arms of another child of the family ? That a good mill employer was one who gave workers a bowl of porridge, which the workers paid for, in the mornings after a couple of hours work? That women in tobacco factories were exposed to what we now try to get people to avoid ? That our match factories filled women's lungs with phosphorus or that the men working in the holds of ships breathed in asbestos which killed many of them ? Is there any report coming about what "hard labour" meant when a judge handed down that sentence to women as well as men ?
The linen was beautiful and graced many a beautiful table and altar; the ships' tackle and cargoes made some people rich, the tobacco gave many an hour's pleasure , the judge went to lunch satisfied with a good job done.
Some reports then ?
21.2.13.
Thursday, 21 February 2013
Wednesday, 13 February 2013
New Pope 13.2.13.
The election of the
new Pope will cause excitement in
places high and low. In high places because governments have an interest in
1)getting the “right” person into the position and 2) keeping the “wrong” one
out. The words right and wrong being of course in the sense governments mean by
the words – what profits them and hurts their opponents. Their interest in
morals or ideas like truth, freedom, happiness is self serving.
For a long time some
governments were anxious to have a Pope who would aid their struggle against
communism. Getting one was easy, and using the resources of the Catholic church
, material, intellectual and spiritual ,
was easy also. So that got done. Then governments need prominent people who either will not oppose their wars
or will approve them “in certain circumstances”. That gets done too.
Keeping the wrong one out of prominent positions including
papacy is not all that difficult because
often churches have been , not a loyal opposition, but a supporter of
government policies. Cardinal Basil Hume
had a notable – and public –disagreement with one of his senior clergy because
that man campaigned against nuclear deterrents in Britain
and the Cardinal was in favour of nuclear deterrents in Britain and the US. Getting popes and cardinals on
side has been an important – and for churches damaging – part
of the policy of governments.
Now there are changes
. Trade with China
means governments have to be more diplomatic, because China will be the hub of the most massive trade possibilities
the world has ever known. And the policy of making the US, France , Britain or NATO the police of the world with sole
right to nuclear arms is not going to work as the Koreans and others are
showing. Crude anticommunism and crude forceful control are just too crude nowadays.
Also, if the new Pope proposes or encourages or even
permits new church attitudes to
divorce, abortion etc. – a very delicate but not impossible task – this could
please a lot of governments, but taking
a traditional stance on such things need not matter much to them because more
and more people will probably swing over to
a more “liberal” side anyway.
So what will decide how the election will go ? The truth is
we don’t know because we don’t get
enough information about who is influencing whom. What we do know is that it is difficult for a Pope to have a free hand surrounded by so
many arrangers, influencers, advocates and civil servants. The passage of a
suggestion from the Pope’s desk going round the departments and back again can
often result in a somewhat different suggestion landing on the Pope’s desk for his signature.
And none of the papal gifts, human or divine, will
necessarily cope with that successfully
.
So really what
perhaps we should be asking is – who will the civil servants be?
Tuesday, 5 February 2013
5.2.13
So they found poor King Richard the Third under a carpark. That is not only interesting for the rest of us but it's a great achievemeht for those who did it. Poor Dickey , he was one of the victims of a very sophisticated propagandist, William Shakespeare who led us to believe he was a ripe villain whose victims included helpless children. For some reason we have never quite understood there are always good people who don't like that kind of thing and so a society gets formed , as in the case of Richard the Third, to restore the good name of the man we used to refer to in school as Dickey Trio ( Richard the Second being Dickey Duo). In Shakespeare's day theatre was as much an instrument of propaganda as it is today - theatre on the boards or on TV or radio -and Shakespeare had to trim his sails to suit the prevailing political wind. But in his day the penalties for saying the wrong thing were a lot worse than now. Heads did literally roll and if you were lucky enough to avoid that, you could find yourself without job or reputation and with very little help from anyone apart from those willing to help behindbacks. People argue still about what side was William on, religiously or politically, even was he a Catholic or what. Actually he was a man of his time, with ideas swirling around his head which included handed-down myths and stories from history and from religious beliefs and superstitions and political propaganda. The strange thing is not that he appears one thing now and another again but that he made such a wondrous job of what he knew and experienced and what other people said other people experienced. In school we relished stories of villainy - Cicero's speech against a rascal called Verres was a delight amid otherwise encircling gloom and Richard the Third was much more appealing that either Romeo or Juliet. So it is likely that some of us at least will feel disappointed that Dickey Trio is being honoured at last and may turn out to be quite a reasonable fellow after all.
One uneasy thought though. There was a time when people who wanted to portray someone as wicked would give that person some physical difference as if physical difference, a limp, a less appealing face or whatever had to be accompanied by mental or spiritual defect. That existed well into our own times and is only disappearing now. And was it Laurence Olivier who emphasised Richard's supposed villainy by acting him with distorted physical features as well?
Historical narrative works two ways of course - Shakespeare was not the only one to portray Dickey Trio as a hopelessly wretched villain - he seems to have taken that picture of him from Thomas More - variously called Saint Thomas More or Sir Thomas More depending on your point of view . More is looked on by some as a saint,has been for many a day, but people like Hilary Mantel have now painted a different picture and made him look like someone who greatly approved of and caused other people to be tortured.
So the lesson seems to be , if you are really keen to separate historical or theatrical wheat from chaff, truth from fiction, propaganda from truth, well, it can be done. Certainly. It may however take a long time until you can persuade the archeologists to dig up a carpark or scholars to blow the dust of some of their long neglected tomes.
So they found poor King Richard the Third under a carpark. That is not only interesting for the rest of us but it's a great achievemeht for those who did it. Poor Dickey , he was one of the victims of a very sophisticated propagandist, William Shakespeare who led us to believe he was a ripe villain whose victims included helpless children. For some reason we have never quite understood there are always good people who don't like that kind of thing and so a society gets formed , as in the case of Richard the Third, to restore the good name of the man we used to refer to in school as Dickey Trio ( Richard the Second being Dickey Duo). In Shakespeare's day theatre was as much an instrument of propaganda as it is today - theatre on the boards or on TV or radio -and Shakespeare had to trim his sails to suit the prevailing political wind. But in his day the penalties for saying the wrong thing were a lot worse than now. Heads did literally roll and if you were lucky enough to avoid that, you could find yourself without job or reputation and with very little help from anyone apart from those willing to help behindbacks. People argue still about what side was William on, religiously or politically, even was he a Catholic or what. Actually he was a man of his time, with ideas swirling around his head which included handed-down myths and stories from history and from religious beliefs and superstitions and political propaganda. The strange thing is not that he appears one thing now and another again but that he made such a wondrous job of what he knew and experienced and what other people said other people experienced. In school we relished stories of villainy - Cicero's speech against a rascal called Verres was a delight amid otherwise encircling gloom and Richard the Third was much more appealing that either Romeo or Juliet. So it is likely that some of us at least will feel disappointed that Dickey Trio is being honoured at last and may turn out to be quite a reasonable fellow after all.
One uneasy thought though. There was a time when people who wanted to portray someone as wicked would give that person some physical difference as if physical difference, a limp, a less appealing face or whatever had to be accompanied by mental or spiritual defect. That existed well into our own times and is only disappearing now. And was it Laurence Olivier who emphasised Richard's supposed villainy by acting him with distorted physical features as well?
Historical narrative works two ways of course - Shakespeare was not the only one to portray Dickey Trio as a hopelessly wretched villain - he seems to have taken that picture of him from Thomas More - variously called Saint Thomas More or Sir Thomas More depending on your point of view . More is looked on by some as a saint,has been for many a day, but people like Hilary Mantel have now painted a different picture and made him look like someone who greatly approved of and caused other people to be tortured.
So the lesson seems to be , if you are really keen to separate historical or theatrical wheat from chaff, truth from fiction, propaganda from truth, well, it can be done. Certainly. It may however take a long time until you can persuade the archeologists to dig up a carpark or scholars to blow the dust of some of their long neglected tomes.
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